With a common sense of weirdness emanate from their works, our booth proposes to perturbate our perception while looking at art with a re-new relationship created between objects, the viewer and the art. With works inspired from and from everyday objects and feelings, the three artists operates a dizzying translation of the everyday world, with a subtile form of distortion where everything turns slightly upside down.
Alfredo Aceto stands out for his analysis and deconstruction of power structures. His creative process comprises fragmented stories, references to art history, and political and economic realities. His artistic approach involves a detachment of the object from its primary function, thereby revealing a broader spectrum of meanings and symbolism. Alfredo Aceto also extends his approach to the space-time of the exhibition, considering it a fertile ground for testing perceptual revision

Creating scenes and new social ecosystems made up of humans, machines, algorithms, and plants—conceived as large-scale performative installations—Nile Koetting work actively complicates staging through mise en abyme. He uses theater as a device—rather than an art form—for its ability to organize and generate a spectacle through the distillation of effects on a given stage. The aptitude of Eva Marisaldi for observing the world and listening to every aspect, every detail of reality, and her ability to translate this faculty into unconventional visual compositions, difficult to categorize by traditional standards, became immediately evident. The spectator is invited to follow their rhythm and take part in it, assuming an active and participatory role typical of relational dynamics.