For Liste 2025, P21 will present the curatorial concept of the Exoskeleton, inspired by the idea of externalized internal anatomy—exoskeletons that act as both shelter and spectacle, offering concealment and protection to the creatures they encase. This presentation explores how our perceptions, often focused on the external, obscure the enigmatic interior, reflecting on the discord between outward appearances and the intricate realities of our inner selves. The selected artists—Haneyl Choi, Xiyadie, Minjeong An, and Chang Kon Lim—examine the body's internal and external anatomies, confronting the tension between what is visible and hidden. Through their work, they reveal the complexities of identity, vulnerability, and bodily autonomy.

Haneyl Choi (b. 1991, Korea) produces sculptures and installations that explore the intersections of queer and Korean national identities, forging new narratives around LGBTQ visibility and culture. He received his BFA in sculpture from Seoul National University and MFA from Korea National University of Arts. He has held solo exhibitions at P21 (2022), Arario Museum, Seoul (2021); P21, Seoul (2020).

Xiyadie (b. 1963, China) is a self-taught Chinese papercut artist who creatively melds traditional techniques with queer narratives, crafting intricate homoerotic scenes that challenge societal norms and celebrate freedom. He is currently based in Shaanxi, China. He was a participating artist in the main exhibition of the Venice Biennale (2024), EROS at P21 (2023), Spectrosynthesis: Asian LGBTQ Issues and Art Now at BACC, Bangkok (2019) and MOCA, Taipei (2017). His works have also been shown at The Drawing Center, New York (2022); Ljubljana Biennial of Graphic Arts (2019).

Minjeong An (b. 1981, Korea) uses mathematical and scientific symbols to visualize abstract concepts, she has developed a unique approach to making intangible ideas tangible. In great detail her works graph the physical and psychological effects of our lived experiences. Her work has been featured in group exhibitions at The 14th Shanghai Biennale (2023), Seoul Urban Life Museum (2022), SEMA Storage Seoul Museum of Art (2021).

Chang Kon Lim (b. 1994, Korea) is known for his exploration of concealed and erased identities. Through his practice, Lim captures moments of perception, movement, and personal transformation. He does this by using a distinct approach to fragmenting both the body and the canvas. His solo exhibitions include Cadalog Space (2022) and Artspace Hyeong (2019), Lim's participation in group exhibitions include Doosan Gallery (2023), Hitecollection (2022), Museumhead (2021), Hall1 (2021), Space 413 (2020), and Post Territory Ujeongguk (2019).